The Creation of our Signature Quilt

Jennie Moloney • April 8, 2024

Who signed their names and how did they end up on this quilt?

After much research, we are confident that we have now established how and by whom our Signature Quilt was created.

 

We are calling it a signature quilt and not an autograph quilt. Many other organisations also created these types of quilts during the war and called them ‘autograph’ quilts.



However, many of the names on our quilt were provided by other family members and are not the actual ‘autographs’ of those featured on the quilt.


Many names are of soldiers who were fighting overseas and who subsequently died, and their families wanted to honour their memories by including their names on the quilt.


The ANZAC Club

 

We had originally been led to believe that the quilt had been made by a local group formed to raise funds to send ‘comfort parcels’ back to the serving men and women at the front – The ANZAC Club. The ANZAC Club was established by some of the women of Williamstown, Newport and Spotswood, who met at a Mrs Musther’s house on 3 February, 1916, with the idea originating from letters received from some the men at the front. 

 

A subsequent meeting was held at the Williamstown Temperance Hall on Wednesday 9 February, 1916 at 3 pm. At this first official meeting, the office bearers were elected with the Mayoress, Miss Byrne, taking on the position as President, Vice-President Mrs George Smith; Honourable Secretary Mrs Musther; Honourable Treasurer Miss Simpson and Enrolling Secretary Mrs Bradshaw.

 

However, after looking through the list of office bearers of the ANZAC Club, we couldn’t find any of the women holding committee positions listed on our quilt which we thought was odd. So, we started looking through Trove once again.


The Allies’ Stall


We then found reference to another local group created by local church groups called the Allies’ Stall. They had decided to create a quilt to also raise funds for the war effort and had charged sixpence for anyone wanting to add their name to their quilt. Created by Mrs Hall of Chandler Street, the aim was that their quilt would be donated to the Williamstown Hospital at the end of the war.

 

However, after further research, we found a description of this quilt in the Williamstown Chronicle of 2 November, 1918 stating that it featured “19 large and 14 small crosses in red … wrought in white thread the names of leading townspeople”, which did not match our quilt, so this ruled this organisation out as the makers of our quilt. 


The 14th Battalion Comforts Fund


So, we then had to start again, and went back to the drawing board. Given that we knew that Captain Stewart Murray Hansen had definitely supplied the signatures of some of the men and women he served with or met overseas, and that it had been his mother, Mrs Agnes Hansen’s idea for Stewart to collect the signatures, we starting trawling through Trove again. 

 

We then found that Mrs Hansen had been a committee member of another group called The 14th Battalion Comforts Fund, established to raise funds in support of the servicemen that were part of the 14th Battalion.

 

This fundraising group had been established in September, 1916 with the authority of the Defence Department. Miss Dare, the sister of Lieutenant-Colonel C.M.M. Dare, D.S.O., the commanding officer of the 14th Battalion, called a meeting of the mothers, wives and friends of the battalion and a committee was established.

The Committee running the fund were featured in Punch, Melbourne in August, 1917 listing all of their names and their photos.


Top Row – Mrs. Wallace-Crabbe (President), Mrs. A. Gillison (Vice-President), Mrs. Clive Connollv (Hon. Sec.), Miss M. G. M. Boyle (Asst. Hon. Sec.), Mrs. F. H. Wright (Committee), Miss N. Boyle (Committee).


Second Row - Committee: Mrs. B. Roderick, Mrs. D. Fielden, Mrs. A. Thompson, Miss D. Thompson, Mrs. H. W. Thompson, Miss E. Thompson.


Third Row – Committee: Mrs. M. Harritt, Mrs. W. R. Hoggart, Mrs. A. E. Hughes, Mrs. I. Grimes, Mrs. G. F. Warren, Miss N. Millis.



Fourth Row – Committee: Miss V. Wallace-Crabbe, Mrs. C. Showers, Mrs. A. F. Graham, Mrs. F. Bridgman, Mrs. J. G. Hansen, Mrs. Mansley Greer.


Bottom Row – Committee: Mrs. R. H. Cole, Miss M. W. Gillison, Mrs. C. B. Cumberland, Mrs. S. E. Jones, Mrs. J. L. Cope, Mrs. J. S. Parker, Mrs. Fethers.


Photos: Alice Mills Studio, The Centreway, Collins Street, MelbourneNew Paragraph

The idea for the quilt was to use square offcuts of calico and to ask anyone who was interested, to sign their name on one of the squares and to pay sixpence to do so. As each square was filled with signatures the ladies would then stitch the signature onto the calico with red cotton thread and then bind the edges in red before assembling all the squares together as a quilt.


However, on reflection, the ladies decided to make their quilt “different” to many of the other autograph quilts being made by other organisations. Mrs Agnes Hansen, mother of Captain Stewart Murray Hansen who was overseas fighting, came up with the idea of asking her son Stewart to collect the signatures of other service men and women he met and then to post them home to be included on the quilt. Captain Hansen duly collected signatures from many of the men from his 14th Battalion, as well as nurses, doctors, mechanics, drivers, clerics and many members of other battalions. When the squares arrived back in Melbourne, they were carefully embroidery by his mother and her friends.


We can only surmise that as Mrs Hansen was so involved with the creation of the quilt given her son, Stewart Murray Hansen had obtained many of the signatures featured on the quilt, the women who had contributed to its creation felt it should remain with Mrs Hansen. 

 

We have no actual records in our archives of how the quilt ended up with Miss Win Stewart, but as she was the niece of Mrs Agnes Hansen, we can only assume it had remained in the Hansen family after the war. She eventually donated it to the Williamstown Historical Society in 1971 as she was a long-standing member and committee member of the Williamstown Historical Society.

 

In 1995 the quilt was sent to the Victorian Centre for the Conservation of Cultural Material where it was vacuumed to remove any surface dirt and dust. It was then washed by hand, rinsed five times and then dried flat. Once the cleaning process had finished, the quilt was backed by a cheesecloth fabric attached by Velcro. The VCCCM also recommended that the quilt be kept out of direct sunlight and lights turned off when not on view. In 2015 the quilt was framed with timber and Perspex for the exhibition Follow the Flag; Australian Artists and War 1914-45, held at the National Gallery of Victoria to mark the centenary of the landing at Gallipoli.

 

One of our volunteers, Pat Klemm, has painstakingly recorded all of the names embroidered on the quilt into a searchable spreadsheet. Deciphering all of the names must have been a mammoth job and without her untiring efforts, trying to find the actual people represented on the quilt would have been impossible. Additional research is currently underway to establish the various theatres of war the soldiers on the quilt fought in and if they survived. Many of the men whose signatures are on the quilt didn’t. At least 40 of the soldiers we have identified were either killed in action or died of their wounds at a later date.

 

Our Quilt is one of the Historical Society’s prized possessions and is now over 100 years old. It has been exhibited in several outside galleries over the years, mostly because of its uniqueness in containing signatures of serving personnel, not just of the signatures of the contributing local donors.




References:

Trove Newspapers

Williamstown Chronicle

Punch, Melbourne


MRS AGNES HANSEN AND FRIENDS (attributed to)

Williamstown, Victoria, Australia 

WW1 Patchwork Signature Quilt 1916-18

cotton, linen, cotton and silk thread

220.0 x 169.0 cm irreg.

Presented by Miss Win Stewart, 1971

Williamstown Historical Society, Williamstown (Acc No. 85)




Our stories

By Freya Smart April 16, 2026
On July 10, 1860, the Williamstown Mechanics Institute was opened with an extensive soiree. With the institute’s opening, it was also decided to create a public library associated with the institute, in the hope that the institute could take advantage of the government grant for free libraries. [1] Later that year, in October, it was announced that 200 volumes had been added to the library in the last six months, bringing the total number of volumes to 940. Furthermore, upwards of 1000 books had been issued to users in the library’s first half-year of being opened. [2] Reports from later that decade continued to outline the extensive additions to the library, including “the writing of our most celebrated Philosophers, Statemen, and Travellers.” The committee sought not to only add to the library works of fiction, but also “those works which have a direct tendency to instruct and elevate the minds of readers.” In April 1867, it was reported that 1,932 books had been issued in the past six months, revealing the steady rise in popularity of the library. [3] By May 1869, £2500 had been spent on the Mechanics Institute building, and the library’s total number of books had reached 2,532. Ability to loan books from the Melbourne Library meant that members could choose from 4,000 books in total. It was also at this time that a “most comfortable and attractive” reading room was opened, which hosted a fireplace and “the most popular newspapers and magazines of the time.” [4] Later that year, in October, an auction was held to get rid of damaged books. The proceeds of the auction were to be for the purchase of new books, thus “maintain[ing] the high standard of excellence which [the] Library has attained,” and providing library members with “works of the great writers of the day”, including those in disciplines such as theology, science, arts, history, biography, travels, poetry, and fiction. With satisfaction, the committee also noted that attendance of the reading room had increased considerably. [5] In April 1870, the committee announced that they had continued to make valuable additions to the library, displaying “great discrimination in choosing only such as will tend the elevate the taste of the readers.” Books added included Henry Fawcett’s Manual of Political Economy, Napoleon’s Julius Caesar, Charles Dickens’ Our Mutual Friend, and Alfred Tennyson’s Holy Grail, among many others. [6] By April 1871, the library’s total number of books had now reached 2,467. The Reading Room continued to be well-attended, including by seamen who frequent the Williamstown piers, who were allowed free admission. [7] In July 1873, a report from the annual meeting of the Victorian Seamen’s Mission announced that 30,000 to 35,000 seamen visited Victoria each year, revealing the importance of the free reading room at Williamstown. [8] According to a report from October 1874, in the past six months the committee had added compilations of Dickens, Thackeray, and Scott. 109 volumes had also been rebound, thus leaving the library in a more satisfactory state regarding both the number of volumes and their condition.[9] In October 1877, it was noted that there had been an increase in attendance of the reading room by officers, apprentices, and seamen. Shipping firms had promised subscriptions to the funding of the institute for their seamen. The President of the institute believed that the free reading room would provide “comfort and improvement of the seamen in their employ, thereby checking the abominable vice of drunkenness that prevails among sailors when they are left to their own resources.”[10] In April 1879, the library increased its opening hours.[11] Later that year, the front room of the library was fitted for public convenience, and the public were allowed free access to the library.[12] In November 1879, the institute changed its name to “The Williamstown Mechanics’ Institute and Free Library,” which had been necessary to enable the library to receive government funding.[13] By April 1886, over 4,250 volumes were now in the library. Various clubs and societies had also begun to use rooms in the library, including the Amalgamated Society of Engineers, the Williamstown Shipwright’s Society, the Williamstown Horticultural Society, the Williamstown Eight Hours Society, and more. The library had also received a donation of twenty images from the Melbourne Public Library, which were to be framed and hung around the institute.[14] In April 1886, an editorial in the Williamstown Chronicle written by representatives of the institute criticised the lack of library subscribers, particularly among the youth, who appeared to be more interested in sports rather than mental cultivation. The writer lamented that they cannot see how a couple of hours spent at our Mechanics’ Institute – or other kindred establishment of a night – would at all lessen a young man’s prowess in the sports arena, and, when the more serious duties of life come to be entered on, the knowledge thus acquired would be of infinitely more service to him…[15] In April 1888, at the institute’s AGM, it was suggested that there should be more attention given to accommodation in the reading room, which would “induce youths to cultivate literary knowledge instead of congregating at corners and walking about the streets.” [16] The library was thus seen as of vital importance in educating Williamstown’ youth. I n October 1891, another letter to the editor of the Chronicle urged the social and individual importance of the library: Can you explain how it is that the bulk of Williamstown people fail to appreciate the local institute and free library to the extent it deserves? Maybe it is that they really do not fully understand the intellectual feasts that are daily offered for their acceptance… The existence of the institution wholly depends upon the support of the public, and surely every intelligent member of our community must feel that such an institution is beneficial and elevating in character, and an advantage to the town.[17] In January 1899, the library had nearly 5000 volumes and was considered “one of the best in the suburbs.”[18] In January 1903, the institute’s committee entered into an agreement with the town council to municipalise some parts of the institute, while keeping the library and reading room under the control of a joint committee of council members and representatives of the institute. The agreement was on the condition that the council erect a new hall for the institute capable of seating 300 people.[19] By May 1909, the library had continued to expand, housing 5456 books on its shelves, with a total of 234 chairs inside the institute.[20] . November 1925 saw renovations for the institute: the flooring of the stage was renewed, the public reading room was furnished with new periodicals, and framed photographs of Australasian scenic spots were hung on the walls.[21] By January 1927, the library was composed of more than 9,000 books, periodicals, and magazines.[22] A report from May 1928 announced that the library now catered for 500 families, which was a higher percentage of the population than any other suburban library. It was also noted that for the past years, the library had not received any government grants but had rather been supported entirely by member subscriptions, and “those desirous to read”.[23] In August that year, a junior section was added to the library.[24] In July 1929, there was a motion that the committee confer with the Williamstown City Council in order to obtain a grant for the purchase of educational literature. With a grant of £350 a year, the committee said they would provide educational literature, a free children’s library, and a free reading room that included papers and magazines. The agreement would be under the control of a joint committee of the council and representatives of the institute.[25] In September that year, the institute sent a letter to the council, stating that they were not prepared to accept the offer to take over the assets and liabilities of the institute upon terms which they felt meant the municipalisation of the institute. The committee renewed its application for a grant, and representatives argued that the institute had done a lot for the educational needs of the municipality, thus meriting council support. Ultimately, the establishment of a children’s library and free library would benefit all.[26] The next month, the Mayor moved that £100 be spent on the institute, and in November the council asked the institute to indicate how they would spend the money. The institute’s committee responded that they would establish a free children’s library with 800 books. Twenty-four women had also volunteered to help get the library going. It was hoped the children’s library would be finished for Christmas.[27]
By Nicole Harris April 16, 2026
Architect: Charles James Polain (1856-1899)
By Nicole Harris April 16, 2026
Architect: Michael Egan (c.1846 - 1912)
By Nicole Harris April 16, 2026
Architect – John Beswicke (1847-1925)
By Nicole Harris April 16, 2026
Architect: John Flannagan (1838-1882)
By Nicole Harris April 16, 2026
1860 - Stage 1: Early beginnings
By Nicole Harris April 16, 2026
The History of Our Mechanics
By Nicole Harris April 16, 2026
From a belief “that education is not just for the wealthy and should be available to all with curious minds and determination to better themselves”.
By Jennie Moloney May 17, 2025
Charting a New Course: The Life and Legacy of Captain William Hobson
More Posts